Nicolas Poussin
French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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Nicolas Poussin Paysage avec Orion aveugle cherchant le soleil oil painting


Paysage avec Orion aveugle cherchant le soleil
Oil on canvas; 46 7/8 ?? 72 in. (119.1 ?? 182.9 cm) 1658(1658) cjr
Painting ID::  76113
Nicolas Poussin
Paysage avec Orion aveugle cherchant le soleil
Oil on canvas; 46 7/8 ?? 72 in. (119.1 ?? 182.9 cm) 1658(1658) cjr
   
   
     

Nicolas Poussin Heilige Familie auf der Treppe oil painting


Heilige Familie auf der Treppe
2nd third of 17th century Oil on canvas 69 ?? 98 cm cjr
Painting ID::  76749
Nicolas Poussin
Heilige Familie auf der Treppe
2nd third of 17th century Oil on canvas 69 ?? 98 cm cjr
   
   
     

Nicolas Poussin Ruhe auf der Flucht nach Agypten oil painting


Ruhe auf der Flucht nach Agypten
1655 - 1657 Medium Oil on canvas Dimensions Deutsch: 105 ?? 145 cm cyf
Painting ID::  76909
Nicolas Poussin
Ruhe auf der Flucht nach Agypten
1655 - 1657 Medium Oil on canvas Dimensions Deutsch: 105 ?? 145 cm cyf
   
   
     

Nicolas Poussin Enlevement des Sabines, Detail oil painting


Enlevement des Sabines, Detail
Date 1637 - 1638 Medium Oil on canvas cyf
Painting ID::  77398
Nicolas Poussin
Enlevement des Sabines, Detail
Date 1637 - 1638 Medium Oil on canvas cyf
   
   
     

Nicolas Poussin Heilige Familie oil painting


Heilige Familie
Date Deutsch: um 1645-1650 English: c. 1645-1650 Medium Oil on canvas Dimensions Deutsch: 97,8 ?? 129,5 cm cyf
Painting ID::  77510
Nicolas Poussin
Heilige Familie
Date Deutsch: um 1645-1650 English: c. 1645-1650 Medium Oil on canvas Dimensions Deutsch: 97,8 ?? 129,5 cm cyf
   
   
     

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     Nicolas Poussin
     French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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